[DAC] Fwd: New Works: World Premieres for half-price at ArtsBoston.org!

[Donna Penn]

Begin forwarded message:

> From: "Hutt, Sarah" <Sarah.Hutt at cityofboston.gov>
> Date: September 21, 2006 5:07:07 PM EDT
> To: "Marilyn A. Lasek \(E-mail\)" <MALasekarts at netscape.net>,  
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> Subject: FW: New Works: World Premieres for half-price at  
> ArtsBoston.org!
>
> Take advantage of ArtsBoston's half-price tickets to the following  
> Boston, Regional or World Premieres. It's a great Fall for new works!
>
>
>
> World Premieres for half-price at ArtsBoston.org!
>
> Be among the first to see the most exciting new plays in town by
> visiting www.ArtsBoston.org today! This fall, Boston plays host to
> pre-Broadway productions and first-look performances of cutting- 
> edge new
> works -- and ArtsBoston.org has your half-price discounts!
> Find these shows and more on sale now at www.ArtsBoston.org!
>
> *World Premiere!*
> MONSTERS
> A musical by Gail Phaneuf & Ernie Lijoi
> Centastage (at Boston Center for the Arts)
> 09/20/06 To 10/01/06
> On her 40th birthday, Samantha wakes up to some shocking visitors and
> must face the demons of middle age: Apathy, Fear, and Body. Full panic
> sets in as Samantha's imagination runs wild and the monsters fan the
> fires of her worry, leaving Samantha to banish her demons in order to
> live out her dreams. With a tuneful score that encompasses pop and
> gospel music and a hilarious cast of colorful characters, Monsters is
> sure to delight.
>
>
> *Boston Premiere - pre-Broadway production!*
> RADIO GOLF
> the final play by August Wilson
> Huntington Theatre Company
> 09/20/06 To 10/15/06
> "Radio Golf is a powerful conclusion to August Wilson's epic cycle. A
> complex meditation on success, community, and what matters in  
> life." The
> Boston Globe
> It's Pittsburgh, 1997. Mayoral hopeful Harmond Wilks and his business
> partner Roosevelt Hicks have a sure-fire plan to revitalize the  
> decrepit
> Hill District of their youth. Standing in their way is the house at  
> 1839
> Wylie Avenue, and the man who claims to own it. Will commerce or  
> culture
> overcome? Radio Golf is the late August Wilson's final play, last  
> in his
> landmark ten-play cycle chronicling the African-American experience
> throughout the 20th century.
>
>
> *World Premiere!*
> FIRST BLUSH
> (The Spectators)
> by Amy Adler
> Boston Playwrights' Theatre
> 10/12/06 to 10/22/06
> Two young couples' lives intertwine over the course of several years.
> Treading the fine line between love and sex, each friend faces the
> consequences of a passionate encounter. Playwright Amy Adler pushes  
> the
> envelope of art imitating life and questions how to be good - even  
> when
> no one is looking - in this comedy with a serious, sensitive touch.
>
>
> *World Premiere!*
> AUGUSTA
> by Richard Dresser
> Merrimack Repertory Theatre
> 09/27/06 To 10/13/06
> Massachusetts native Richard Dresser's newest comedy makes its New
> England debut. Set on the coast of Maine, middle-aged Molly and
> twenty-something Claire are caught in the working class vise,
> desperately clinging to low-wage jobs that barely allow them to make
> ends meet. The pay stinks, the corporate system's oppressive, and the
> boss is a jerk; how can a pair of blue collar gals angle their way
> toward a slice of the American Dream? A company retreat in Augusta may
> hold the key. Augusta is a classic pressure cooker comedy from a  
> master
> at hitting below the belt.
>
>
> *Boston Premiere!*
> THE PILLOWMAN
> by Martin McDonagh
> New Repertory Theatre
> 09/20/06 to 10/01/06
> "An absolutely riveting production with a sublime cast - packs an
> emotional wallop." The Boston Globe
> New Rep presents the New England premiere of last season's Tony
> Award-winning hit, The Pillowman. In an unidentified totalitarian  
> state,
> Katurian -- a butcher by day, a writer of haunting fairy tales by  
> night
> -- faces two interrogators from the local police force. As Katurian  
> soon
> learns, his stories, in which characters meet grisly and macabre  
> fates,
> have inspired a string of copycat crimes. As the police resort to
> increasingly absurd and hilariously unconventional methods to crack  
> the
> case, Katurian's stories come to life, blurring the line between fact
> and fiction, truth and storytelling.
>
>
>
>
>
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